Hey Babby

I am writing the esoteric significance of this movie. The actual story is very simple copied from holly film ‘ Three men and a baby’. This Holly film I saw some 20 years ago I guess – at that point of time it
would have been blasphemous to show that a Mother figure Indian woman had slept
before wedlock and had got pregnant ! People then would have stoned the Movie
halls. But now Indians have become more broad minded – Thanks to TV and several
foreign channels – bole toh Bay Watch and Fashion TV – they are speedily
unlearning Indian culture and are dying to become western slum vultures !

So the esoteric significance is as follows :

Duruyodhana (Duru), Dushasana (Dush) and Jarasand (Jara) are as usual – born to mediocre uncultured parents who never taught them the essence of culture, heritage, tradition and respect for women. Thus being born
to spineless ,selfish, demonic parents (just as they had been in one of their previous
births) they grow up to be cheats, frivolous, self centered, wasteful and spineless whore mongers. They all are NRIs
living in Australia.

When they attain financial independence and have enough money to hire the services of ‘available game girls’ – who in their previous births were probably the Sex
maids, courtesans to entertain the
Kings and Prince, kinds of Surpanakhas, Mandodaries, Mantharas and their kith
and kin – they do so randomly and each one at least use the ‘sexual services’
of more than 50 girls ! (there was a scene where they actually count the girls
they had humped).

In comes the Heroine among the ‘game girls’ – Surpanakha. Now one may ask me how is she the heroine. Well folks – in Ramayana – only a single episode of Surpanakha (Soopy)has been put forth – where she is actually
responsible for bringing an end to her brother Ravana’s empire. If you all
keenly observe – she was quite a bold damsel – loitering alone in the dense
forest –looking for what? Preys? Poor thing fell for the good looks of Shri
Rama – and then rest is history…mythology…whatever ! Anyways so Duru meets
Soopy in a marriage party and falls for her charms. Another one of her friends
also falls for Duru’s charms but Duru was more interested in ‘bedding’ her
first. He thus challenges his friend and says that he will surely manage to bed
her.

Now Vidya Balan – aka Soopy in her very first movie (Parineeta) had done this ‘hit’ scene of copulating with Saif during a marriage ceremony going on in the house ! With so many people around – how people manage
to escape the eyes of guests for a ‘hump’ session if really bewildering to me –
we have attended marriages as well – and we were all so busy looking after the
guests…anyways – I guess rich people hire the services of caterers and servants
so that the girls of the family are free to select ‘hump’ partners for
themselves for a ‘quicky session’ !

So Duru (Akshaya) manages to floor Soopy and they ‘jump nude on bed’. They part ways. But Soopy comes back to give Duru a surprise – only to see him being molested by her another friend. Before he could ward her off his
body – Soopy sees it and leaves in a huff. Misunderstanding. Sob – sob –
tearful goodbyes. She was expecting a pure virgin NRI living in Australia
actually. Sob sob.

Soopy finds that she is pregnant – and in spite of knowing that it was the whore monger’s sperm that had fertilized her ovum accidentally – she still decides to keep the baby !! – you see bold girls are also dumb
girls ! Now Soopy’s father (Boman Irani) – who himself was not a very good
family man – slept around with girls as young as his daughter – well yes – like
father – like son-in-law too - comes to know all about it . So when the baby is
born, he informs Soopy that a ‘still’ (dead) baby was born to her.

And he keeps the baby at Duru’s front door. When the 3 friends open the door – they see this baby girl and are confused about it. Then they show things like how difficult it is to bring up a baby – washing potty
and pissy. Fed up of looking after her – staying awake at nights and losing
their jobs , they decide to dispose off the baby and keep her in front of the
Church. But no one takes her in and they found her drenched and down with fatal
pneumonia. They rush her to the hospital and regret their move.

They realize how precious a child becomes and they wish that she does not get a man in her life like them – oh! what a touching scene !! Self realization kind of thing happens to them and they become very fond of
her. They go and apologize to the girls they had slept with and blah blah.

Anyways Boman tells Soopy that her daughter is alive. Soopy takes away her daughter from them. They start missing her. Soopy puts her foot down and goes away. She comes back and says that the baby needs a father figure
as well. Happy ending.

PS: In real life – as flirtatious men as them would have disposed her off to the nearest orphanage. Such debauch men and shameless women donate heavy charity to the orphanages because they know that children born to
their kind of people only mostly land up in orphanages !

In one of the scenes, Jara’s ex hump partner is shown getting married to a complete cartoon character – a silly looking gay creature (Mastkalandar song)….this shows that ‘bold’ girls usually land up with cartoon
characters for the rest of their lives – so girls give up being so crassi-ly
bold – there’s still time….